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Rock Sale




Rock Sale was a public protest and performance in defiance of the Johannesburg City by-laws which prohibited street trading on the sidewalks of Johannesburg. The corporate regeneration programme in Braamfontein (JHB) instituted in 2002 showed no recognition towards the street traders and applied a heavy hand through persecution and harassment by the Metro Police. Every time a police raid occurred, traders were fined R150 and their goods were confiscated. Sometimes harassment by the police resulted in violent action as traders were often beaten and abused.

In response to this situation I devised a performance where I stationed myself on the sidewalk in Braamfontein and, in direct contravention of the By-Laws; I attempted to sell rocks and piles of sand - Objects of no monetary value! I priced these items at R150 (15 Euro) each. The location for my stall was a sidewalk outside a prominent shopping center in Braamfontein. My performance was carried out over a period of 2 days. My stall was demarcated by existing painted floor markings which marked out trading spaces where trading was possible before the corporate regeneration programme was instituted.

The objectives of my actions were to raise awareness to the unequal playing field created by the regeneration program. I also wanted to know if the police would confiscate my rocks - Would they? I was breaking the law after all.

After setting up I was immediately surrounded by people. They wanted to know what I was doing. People shouted random insults at me. It seems my actions were really confusing to some people – no rock sales were made.

It was not long before taxi drivers became curious about my performance. They hung out in my stall, standing behind me chirping at passers-by and thoroughly entertained by the rock sale.

It took a while for the police to turn up. A Metro Policeman asked me to explain my actions. I handed her a pamphlet which read, "Did you know that the rights of traders on Jorissen Street are being violated by the Government?"

I thought I had done enough to earn some trouble with the law. But to my amazement, the Metro Officer thought my actions were funny and she laughed at me before leaving. It seems its ok to sell rocks and piles of sand in a no trade area of the city but don’t dare try selling convenience items like cigarettes and sweets because you will be beaten and fined.

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We Cannot Continue To Die Like This



A movie by:
Babak Fakhamzadeh and Ismail Farouk


Avalon Cemetery is one of the largest cemeteries in South Africa and is the final resting place of many political and cultural activists. The cemetery is about 170ha in size and is managed by the City of Johannesburg’s City Parks division. At the entrance to the cemetery, a memorial with the words, "Never Never Again" inscribed on it pays tribute to those who lost their lives in the Soweto uprisings of 1976. Avalon Cemetery is facing severe pressure. With the death rate is increasing by 10% per year and more than 200 funerals occurring each weekend, the cemetery is running out of space.

Compounding the problem is the Aids pandemic. With more than 6.5 million of the country's 47 million people infected with HIV, demand for space is increasing. Every weekend, convoys of buses carrying mourners bring the Old Potchefstroom Road to a standstill. This has resulted in special traffic marshals being deployed to deal with the traffic congestion every weekend. Cremation is not considered appropriate for most people so City Parks are encouraging families to consider the "second burial" option, where several members of a family are buried in the same grave.

"We Cannot Continue to Die like this" is a short animated movie which responds to the pressures experienced by the cemetery because of the increase of funerals as a direct result of AIDS related deaths. The film frames the dense weekend funeral traffic in relationship to the 1976 memorial located at the entrance of the cemetery. This is done to bring about awareness to the current day struggle our society is experiencing. History is represented by the memorial to fallen heroes of 1976 - history will demand to know where our leaders are now, when this preventable disease continues to kill millions of people.

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JHB626GP



JHB626GP is a representation of Johannesburg city using a unique combination of digital photographs, video and archival film, and kinetic ... all » flash animations which illuminate the urban rhythms of Johannesburg singularly. The movie not only deals with the historical legacy of gold mining and apartheiid, it also highlights movement patterns and conflicts associated with informal economic activity. Johannesburg like most developing cities globally is struggling with the contradictory goals of economic realignment and needs of the urban poor. JHB626GP attempts to highlight these contradictions and the endangered vibrancy of Johannesburg street life in the face of the enforced privatised city.

JHB626GP was produced for the Venice Architecture Biennale in collaboration with the London School of Economics and features original compositions by Johannesburg based electroacustic composer Dimitri Voudouris

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